There are countless awesome tv series with female showrunners at the helm. Thus far, I've only covered "Gilmore Girls" in its entirety, but there's more TK! "My Brilliant Friend" is next.
In the opening scene, Midge and Imogene (Bailey De Young) head to the storage unit where all of the Weissman possessions are being held. Midge, no stranger to working blue, somehow never realized that she owns a pair of white marble lamps featuring an elaborate orgy scene. They seem like
Let's get one thing out of the way: of course Midge Maisel is an asshole. All of Amy Sherman Palladino's female leads are assholes. Lorelai Gilmore? Asshole. Sarah Tomkins? Asshole. Michelle Simms? Probably the most redeemable character of the lot, but still an asshole. ASP isn&
Directing and writing credits:
"You've Been Gilmored" is directed by Stephen Clancy, written by Jordon Nardino. Clancy has worked on the show as a steadicam operator since S1, but these are his previously directed episodes:
"The Incredible Sinking Lorelais" - The sexual tension between
Directing and writing credits:
"Friday Night's Alright for Fighting" is directed by Kenny Ortega, written by Amy Sherman-Palladino. Ortega seems to be the director the Palladinos bring in when they want to do something different, like choreograph a dance or stunt scene. This episode is definitely
Directing and writing credits:
"Just Like Gwen and Gavin" is directed by Stephen Clancy, written by Daniel Palladino. Most recently, Clancy worked on a judge show called "All Rise" which sounds like something a more boring Shonda Rhymes might create.
These are the episodes of "
Directing and writing credits:
"The Perfect Dress" is directed by Jamie Babbit, written by Amy Sherman-Palladino. You may have seen Babbit's work earlier this year on "Only Murders in the Building," which I thoroughly enjoyed. It starts kind of slow and I wasn'
Directing and writing credits:
"He's Slippin' 'Em Bread... Dig?" is directed by Kenny Ortega, written by Daniel Palladino. Ortega previously directed these episodes:
* "They Shoot Gilmores, Don't They?" - Why didn't Dean and Shane end up together? In
Directing and writing credits:
"The Prodigal Daughter Returns" is directed and written by Amy Sherman-Palladino. I'll get into this more in later recaps, but I don't necessarily think it's a horrible idea to introduce Luke's long lost daughter as a
Directing and writing credits:
"Let Me Hear Your Balalaikas Ringing Out" is directed by Kenny Ortega, written by Daniel Palladino. Ortega previously directed these episodes:
* "They Shoot Gilmores, Don't They?" - My hatred for Jackson intensifies when he reveals his completely deranged "four
Directing and writing credits:
"Twenty-One is the Loneliest Number" is directed by Robert Berlinger, written by Amy Sherman-Palladino. Berlinger previously directed these episodes:
* "A-Tisket, A-Tasket" - Sookie's life takes a downward spiral when she gets engaged to Jackson.
* "Always a Godmother, Never a
Directing and writing credits:
"Welcome to the Dollhouse" is directed by Jackson Douglas (AKA Jackson Belleville), written by Keith Eisner. Douglas previously directed "To Live and Let Diorama," which is a personal favorite c/o drunk Paris. This is Eisner's first episode of "
Directing and writing credits:
"We've Got Magic to Do" is directed by Michael Zinberg, written by Daniel Palladino. This is Zinberg's final "GG" episode, although he'll work with the Palladinos again on the short-lived "The Return of Jezebel James.
