There are countless awesome tv series with female showrunners at the helm. Thus far, I've only covered "Gilmore Girls" in its entirety, but there's more TK! "My Brilliant Friend" is next.
Directing and writing credits:
"Ballrooms and Biscotti" is written and directed by Amy Sherman-Palladino. I don't have any crazy ASP news, but I am excited that "The Marvelous Mrs. Maisel" is coming back on December 5.
Most batshit crazy outfit:
Lorelai is the type
Directing and writing credits:
"Those Are Strings, Pinocchio" is directed by Jamie Babbit, written by Daniel Palladino. ASP usually writes and directs the season opener and closer, so I was surprised to see her name missing from the credits. The male Palladino and Babbit do a nice job,
Directing and writing credits:
"Here Comes the Son" is written and directed by Amy Sherman-Palladino. I want to say mean things about this backdoor pilot, but who am I kidding, I totally would have watched "Windward Circle" if it didn't immediately die. For starters,
Directing and writing credits:
"Say Goodnight, Gracie" is directed by Jamie Babbit. Amy Sherman-Palladino has the story credit and shares the teleplay credit with Janet Leahy. Babbit has directed a bunch of previous episodes:
"The Road Trip to Harvard" - Lorelai maxes out her credit card
Directing and writing credits:
"Keg! Max!" is directed by Chris Long, written by Daniel Palladino. Long has directed so many episodes at this point that it's hard to keep track. Here's the running tally:
"Presenting Lorelai Gilmore" - Dean is disgusted by
"Obsessed-Like" is directed by Kevin Bray, written by Prentice Penny. Bray has been involved with "Insecure" since S1 and has worked on many other dope shows like "Black-ish," "Fresh Off the Boat," and "The Americans." He got his start directing
Directing and writing credits:
"Happy Birthday, Baby" is directed by Gail Mancuso, written by Amy Sherman-Palladino. I'm still waiting on "Besties," Mancuso's first feature film, to get a premiere date but IMDB says it's still in pre-production. Sadly, this is
"Ready-Like" is directed by Liesl Tommy, written by Laura Kittrell. Tommy is primarily known for her work in theater but has recently pivoted to television and film. Her past work includes episodes of "Queen Sugar" and "Dietland," and she is currently working on "
Directing and writing credits:
"A Tale of Poes and Fire" is directed by Chris Long, written by Daniel Palladino. Long has directed a few previous episodes:
"Presenting Lorelai Gilmore" - Rory participates in a disgusting, misogynistic debutante ball (complete with fan dance) while Christopher cements his
"High-Like" is directed by Millicent Shelton, written by Regina Y. Hicks. Shelton has directed so many episodes of tv that it's hard to keep track. You've definitely seen her work somewhere, whether it's on "Parenthood," "Black-ish," or one
Directing and writing credits:
"The Big One" is directed by Jamie Babbit, written by Amy-Sherman Palladino. Babbit has directed a bunch of previous episodes:
"The Road Trip to Harvard" - LaDawn, aka Jonah Ryan's mom, makes an appearance and we find out how much
"Fresh-Like" is directed by Stella Meghie, written by Dayna Lynne North. I'm not super familiar with Meghie's work, but I did see (and like) "Everything, Everything" (2017) with Amandla Stenberg. Her 2016 feature film, "Jean of the Joneses" was described
